Photographs are connected to the physical world

An interesting and thought provoking video from the Guardian

Errol Morris: 'We've forgotten that photographs are connected to the physical world' - video

Writer and Oscar-winning documentary maker Errol Morris talks about the nature of truth, art and propaganda in photography. Drawing examples from the photographs of Abu Ghraib and the Crimean war, cited in his book Believing is Seeing, he argues we've often underplayed the link between photgraphs and the physical world

Post-processing in the digital age: Photojournalists and 10b Photography

From the British Journal of Photography


10b Photography has established itself as one of the world’s leading digital darkrooms, handling post-production for scores of award-winning photojournalists who trust that the company knows where to draw the line between processing and manipulation. Olivier Laurent meets the founders.


Post-Producer
10b is a digital darkroom and, for all intents and purposes, works similarly to an old-fashioned darkroom. "The recent introduction of the raw shooting format has enabled digital photography to share a very similar workflow than with analogue photography," says 10b on its website. "Just like a negative, a raw file cannot be printed the way it is and needs to be ‘developed' first. Contrast, saturation and hue, for example, have to be set during the editing process. This step takes the name of ‘raw conversion' and, with the exception of chemicals, it resembles the developing process of a film."

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iPhone 4S v pro camera - in pictures

From the Guardian

"iPhone 4S v pro camera - in pictures

Recently Annie Leibovitz recommended the new iPhone 4S as "the snapshot camera of today". Photographer Katherine Rose put the phone's camera through its paces to see how it would fare in comparison with the Canon 5D mkii she uses profesionally"

Top tips: Photographing your area

From the Guardian 


Photographer Alicia Canter gives her top tips on how to take pictures of your local area


"Plan

Plan your trip before you go out, is there somewhere in particular that would make good photos? Think about what your area is about and what kind of things could represent that visually. Make a list and prepare!

Time of day
Think about the time of day that you want to shoot your area in, would it be more atmospheric at night with Christmas lights and reflections in the shop windows? Or is it more alive in the day or at the weekend? You can always include a mixture. Think about it as though you're shooting for a glossy magazine or a feature about the place where you live.

Equipment
If shooting at night remember to take a tripod – and a flash if you're going to do close-ups. Think about the kind of lens you will need too, I used a 100 for close-ups and a 16-35mm wide angle for the general shots.

Talk to people
People are a valuable insight for the viewer – it's important to include some human presence in the pictures. If you live near a market and want to photograph the stallholders, or want to take pictures of people drinking coffee outside cafes, ask them first – people will usually say yes.

Focus in
You could focus on just one part of your area if it's diverse enough to create a six-picture story.

Capturing movement 
This conveys the feeling of a busy environment. Remember to take a tripod, use a slow shutter speed and be patient when you've set up your shot – it won't happen instantly.

Dynamic
Think about how to make your pictures interesting. Try different angles, use the environment (railings, cobbled streets, etc) to help lead the viewer's eye into the picture.

Go back
If you don't think your set is finished after your first outing, don't be afraid to go back again. This is good practice and allows you time to reflect on your pictures and improve them – you have a whole month to get the assignment right, don't be afraid to use it.

Adding glamour
If you want your pictures to show the best possible (and slightly more glamorous!) view of your area, post production is important. You can adjust your levels and curves to bring the contrast up, and oversaturate the images slightly. Burning in the edges of your pictures to help the draw the viewer in to it. All of these are things that could've been done in the darkroom.

Timeless
Try to make your pictures timeless, good stock or travel photographyshould be useful all year round and have a long shelf-life."